• Fascicle Contemporary champions creative ideas and participatory artistic exchanges.

  • Fascicle Contemporary hosts pluralities, diverse artistic voices, where all are welcome and heard, in open chorus.

    Fascicle Contemporary collaborates with transnational artists, curators, diverse publics, and art venues. In situ and online, its art encounters aim to inspire, to open dynamic interpretive art discourse and to invite collective and personal narratives, through inclusive public engagement. 

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    Fascicle embraces interdisciplinary, artistic and cultural intermingling. Its exhibitions often present intermedia’s expanded field – installation, sculpture, performance, filmic media, sound, painting and written expressions. These encounters, performances and programming are informed by interactive, performative curatorial methodologies.
     
    Fascicle, like art, embodies manifold meanings – a choral round, reiterations of text or performances, serialized instalments, human and non-human tissues, expanding vein-like bodily circuitry. It connotes embodied art practices, performance, restaging or reiterations, intermedia and idea exchanges – all life’s interconnectivity, equality and growth.
     
    Beverley Harrison, Fascicle’s founder and curator, embraces interactive performative curating, in an expanded interdisciplinary art field. Often staging intermedia art, she explores spatial choreographies, experiential aesthetic narratives and scenography. Art encounters and texts derive from artistic interpretations, based on art research and artist interviews. She works closely with artists throughout the exhibition making process, from conception, presentation to public engagement. The aim is to engage diverse publics in art and to inspire art experiences, discourse, innovative ideas and new perspectives. 
     
    A curator with strong academic credentials in Contemporary Art and Curating, she specialises in Contemporary art and interdisciplinary practices. Curatorial methods and global Contemporary art knowledge merge, anchored in her academic studies: Masters in Contemporary Curating from the Royal College of Art (2023-4), specializing in curatorial methodologies; Masters in Contemporary Art, Sotheby’s Institute of Art (2017-18), specializing in International Contemporary Art and its theoretical debates. Previous MA degrees include: Masters in Art History & Canadian Studies (Canadian Contemporary, Indigenous Art and Aesthetics); as well as a Masters in Library Science.
     
     

  • Partners and Collaborators are listed under Exhibitions